There are mountains, and then there’s Suilven. Rising sharply from the remote Scottish Highlands, this distinctive, ridge-like peak had been calling to me for years. I’d seen photos and read stories, each one painting Suilven as both awe-inspiring and intimidating, a rugged fortress set against Scotland’s rolling landscapes. When I finally decided to tackle it, I wasn’t entirely sure what to expect. All I knew was that Suilven had something unique in store for me—and I was eager to find out what that was.
Packing became a meticulous process. I made sure to bring sturdy hiking boots, knowing they’d be crucial on the rocky terrain. Layers were essential, too; Scotland’s weather is notoriously fickle, and I didn’t want to be caught off-guard by a sudden rain shower or cold gust of wind. A map and compass were non-negotiables, as Suilven’s remote location means cell service is often nonexistent. Finally, I stuffed a few snacks and a thermos of tea into my backpack, imagining the warmth of a hot drink at the summit.
Despite all the practical preparations, there was also a mental element to consider. I’d climbed before, but Suilven represented a new kind of challenge, one that would push me out of my comfort zone. Standing on the threshold of this adventure, I felt a mixture of excitement and anxiety, wondering if I was truly ready for the journey ahead.
𝐒𝐮𝐩𝐩𝐨𝐫𝐭
This was only made possible thanks to public funding from the National Lottery through Arts Council England, Brenda Neece Scott and the CelloMuseum.orgAgostino Bran, Nicla Bravin, Silvana Vassili, Massimo De Mattia, Luigina Perosa, Izabela Puszczykowska.
@acegrams @TNLUK @dcmsgovuk #artscouncilengland
🚂Follow my journey https://www.riccardopesmusic.com/musicandnatureinscotland
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